“I so enjoyed the vast range of musical selections. It was a journey through time of female musical empowerment!” ~Elizabeth Dulemba, Voces Inauditae concert attendee

“[Hansel and Gretel] was a thoroughly enjoyable delivery under conductor Caroline Lesemann-Elliott of what is, essentially, a Wagnerian piece.” ~Opera Scotland, on the second performance of Le Petit Verre’s November 2017 production of Hansel and Gretel

“Musical director C.L. Elliott has done a really strong job with the chorus of six Furies. Their clear tones bring a properly ethereal tone to the music, while the words – often playing with some of the more pagan aspects of Christianity – provide an appropriate foil to the “old religion” under which Agamemnon is said to have performed his sacrifice.” ~An All Edinburgh Theatre Review of James Beagon’s  A Winter’s Oresteia

“Caroline Elliott worked with both my children teaching them violin. She is a committed and conscientious teacher and the kids loved her and looked forward to her lessons. She makes learning fun at the same time as being rigorous in her teaching. My daughter earned a place at music school at the age of eight after just one year with Caroline.  The violin teacher there commented on how well my daughter held her violin and bow. Not only did Caroline teach but encouraged composing and attending concerts. It is evident she loves not only teaching but learning too and is dedicated to her music studies. I thoroughly recommend Caroline as a teacher.” ~Fiona Oatman, parent of student

“Thank you very much for being a MAGNIFICENT teacher. We will miss you a lot.” ~Junsung (13) and Junhee (8)